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Like Als on the page today, Neel's paintings then captured all that she loved about the city, which is to say she imaged figures she knew had to be seen to be remembered.”\u003cbr\u003e“In lieu of a single essay, Als intervenes between the paintings with ruminations on individual images. He fixates on the young man in \u003ci\u003eCall Me Joe\u003c\/i\u003e, 1955...He lingers on the exquisite watchfulness of the sallow-skinned, blue-frocked girl clutching a blonde baby doll in J\u003ci\u003eulie and the Doll\u003c\/i\u003e, 1943…”\u003cbr\u003e“Neel has the power to make us all feel less lonely in whatever roles – male and female, black and white, the powerful and the afflicted – nature and society have given us (or have tried to, at least).”\u003cbr\u003e“‘Alice Neel: Uptown,’ by Hilton Als, captures Neel, in her own peculiar El Greco-esque style, capturing the psychological essence of her sitters.”\u003cbr\u003e“Above all, though, what emerges is Neel’s connection and love for her subjects. For her, Harlem was never defined by poverty, it seems, but by life. ‘The fact that it was filled with people,’ Als says, ‘meant it was always filled with hope.’”\u003cbr\u003e“A fascinating exploration of the painter’s symbiotic relationship with Harlem. The potent yet personable paintings, mostly done in oil, are enduring proof of Neel’s curious, compassionate eye, on and off the canvas.”\u003cbr\u003e“With their distinctive painterly style, Neel’s portraits explore personalities, rather than physical types; they also memorialize figures historically excluded from the art world, which has long devalued depictions of people of colour, advancing a more capacious vision of community.”\u003cbr\u003e“What distinguishes the current [Alice Neel] show are the eyes through which we see Neel's work. The exhibition is curated by Hilton Als, himself an artist of color whose writings earned him acclaim at a much earlier age than Neel. 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More than one hundred beautiful images, stunning in their diversity, each illustration an exuberant story unto itself.\u003cbr\u003e \u003cbr\u003e Colorful and heartfelt, \u003ci\u003eAll the Colors of Life\u003c\/i\u003e explores the universal ups and downs of a life while highlighting what is most important in life….\u003ci\u003elove.\u003c\/i\u003e\u003cbr\u003e \u003cbr\u003e  \u003cbr\u003e \u003cbr\u003e  \u003cbr\u003e\u003cbr\u003eReview(s):\u003cbr\u003eStarred Review! This gorgeous illustrated book sings to every adult’s inner child. It pairs dreamlike art with trilling reminiscences of childhood joys and growing pains, painted in the vibrant colors of the wide, wild world. A girl settles on a stack of books, her world lit up by what they contain; another plays mermaid on the ocean floor. But then the children grow and change; some forget to feel delight. This inquisitive, magical book is perfect for anyone whose sense of wonder may have gone into hibernation\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eISBN:  9781646900114\u003cbr\u003e\u003cbr\u003e ","brand":"Arctis","offers":[{"title":"Hardback","offer_id":40588072157390,"sku":"9781646900114","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/7029\/7806\/products\/O_16d935bc-ab74-4ef8-9300-8644282058aa.jpg?v=1637687619"},{"product_id":"9781416989394","title":"All Things Bright and Beautiful","description":"\u003cstrong\u003eAll Things Bright and Beautiful\u003c\/strong\u003e\u003cbr\u003e\u003cb\u003eAuthor(s): Cecil F. Alexander\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eAll things bright and beautiful; all creatures great and small; all things wise and wonderful, the incredible Ashley Bryan illustrates them all!\u003cbr\u003e\u003cbr\u003eReview(s):\u003cbr\u003eBryan’s artwork is at its best in this interpretation of the title’s famous hymn, written by nineteenthcentury Irish poet Cecil Alexander to a seventeenth-century melody. The bright, swirling, colored-paper collage images focus on earth’s creatures, in the sea, on land, and in the sky, as well as on the connections between them. The images come to a climax in a gorgeous, double-page spread of two young girls, one black, one white, celebrating who they are and what they see in the world: children, flowers, mountains, trees, stars, the moon, and the sun. Using the musical score printed on the last page, grown-ups can sing along as they share the book with young kids, who will want to point to the small details in every scene even as they absorb the sweeping sense of the interconnected world. From deep-sea views of a whale and fish to soaring scenes of a purple mountaintop, the rainbow theme is constant and extends to pictures of an arch that fills the sky and beams that glow from the open pages of a book. On other spreads, children of all races celebrate sunset and morning, the winter wind and summer sun, and lush gardens, with the words that God almighty made them all. A beautiful celebration of the elemental creation story. \u003ci\u003e— Hazel Rochman, \u003cb\u003e\u003ci\u003eBOOKLIST, \u003c\/i\u003eMarch 1, 2010, STAR\u003cbr\u003e \u003cbr\u003e \u003c\/b\u003e\u003c\/i\u003e\u003cbr\u003eBryan elevates a beloved hymn to new heights in this joyful treatment of Alexander’s classic song. This hymn has been interpreted by artists such as Anna Vojtech (NorthSouth, 2006), Bruce Whatley (HarperCollins, 2001), and others, but Bryan’s multicultural celebration of God and creation bursts with originality and contemporary appeal. Cut-paper collages in cheerful hues depict scenes of people, animals, and nature. Each illustration holds its own, as there are no weak links here. Opening with a sunburst Ferris wheel full of adults and children of many nations and ending with the multicolored hands of the Creator reaching down from the sky, the artist has created a masterpiece in which art and text work together. Bryan includes images of his mother’s scissors (which he now uses) on the endpapers, along with an illustrator’s note and musical notation. 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Johnson\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eExplore the ins and outs of A to Z in an educational setting in this innovative picture book from the Caldecott Honor–winning creator of \u003ci\u003eAlphabet City \u003c\/i\u003eand \u003ci\u003eA Is for Art\u003c\/i\u003e.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eImagine a school. Any school. Be it your school, one from memory, or even a dream school. Then enter and embark on a journey of wonder and delight. Look closely. There’s a letter C in the curve of a globe, a little L in the handle of a pencil sharpener, or at recess, a vibrant yellow V in a geodesic climbing dome.\u003cbr\u003e \u003cbr\u003eCan you find the letters on every page?\u003cbr\u003e \u003cbr\u003eFrom inside the classroom to outside on the playground, Caldecott Honor artist and author Stephen T. Johnson renders the ordinary extraordinary with timeless imagery, inviting us to reexamine and rediscover our schools anew, and to find beauty and joy in the most unexpected places.\u003cbr\u003e\u003cbr\u003eReview(s):\u003cbr\u003e(STARRED REVIEW) The multiple-award-winning illustrator takes a page from his own book—Alphabet City (1995), that is—and creates a graphic-alphabet book that will have students searching their own schools for letters. In an introductory note, Johnson says his inspiration was a partially eaten peanut-butter-and-jelly sandwich his daughter brought home from school: it formed a perfect letter G (and is the basis for the page featuring that letter). No matter the inspiration, though, the artwork within will surely have readers looking at the world from all different angles and perspectives and appreciating the beauty in the mundane. A shadow on the fender of a yellow school bus forms a B; an ordinary double-paned window is an E when viewed from the side; the handle on a pencil sharpener is an L; two metal bookends next to one another form an M; an upturned toilet seat is a perfect U. Not all of these can be found in every school—Q is the center circle on a basketball court with a painted comet logo bursting through—but there are enough ideas here that kids will leave no stone unturned in looking for their own versions. Johnson's art consists of monoprints on paper with digital enhancements, and it has an old-fashioned photo feel, complete with grainy texture and whitish borders around every picture. Not only does Johnson once again take something simple and make it extraordinary, but he will inspire readers to do the same.\u003cbr\u003eJohnson follows \u003ci\u003eA Is for Art \u003c\/i\u003eand his Caldecott Honor–winning \u003ci\u003eAlphabet City \u003c\/i\u003ewith a series of letters found in a traditional brick school. Instead of the meticulous photorealistic images of \u003ci\u003eAlphabet City\u003c\/i\u003e, Johnson offers monoprints—grainy, meditative, and subtly colored, like sun-bleached photographs. There’s a sense of calm as the page turns and the next letter reveals itself. Every one, no matter how complex, appears quite naturally, without any contrivance, in settings most readers will recognize. Some letters are found in architectural details, as when the edges of a window frame are captured from an angle that makes them appear to be an \u003ci\u003eE\u003c\/i\u003e. The \u003ci\u003eL\u003c\/i\u003e is a pencil sharpener handle, the \u003ci\u003eF\u003c\/i\u003e is a flagpole with two flags on it, and the \u003ci\u003eR\u003c\/i\u003e is a twisted rope in a gym, its proportions classically correct. The images are oddly free of people—it’s like a school after hours or over summer vacation, when no one is there and one is free to explore. The lack of artificiality conveys the feeling that forms like these are all around us, waiting to be noticed.\u003cbr\u003eThough alphabet books have proliferated in the years since Johnson published his Caldecott Honor book \u003ci\u003eAlphabet City\u003c\/i\u003e (Viking, 1999), his concept, which is about looking, not about language, remains distinctive. Twenty years after Johnson’s initial foray into the genre, there are still very few alphabet books that are about visual discovery. Each page takes readers to a schoolhouse and asks them to identify the alphabetic shape within the tableaux. A ladder in the library forms an “A,” while angled stairwell banisters become a “K.” The simple concept showcases the complicated process by which the artist creates his images. Johnson’s photorealistic monoprints are essentially a printed painting, digitally enhanced. To children, the illustrations may appear to be photographs. Of course, that is to lose sight of the shared experience—Johnson’s first seeing (and then painstakingly re-creating), and our looking. The school house context will create immediate opportunity for text extensions; used alongside similar titles with content area focus, Leslie McGuirk’s \u003ci\u003eIf Rocks Could Sing \u003c\/i\u003e(Tricycle Press, 2011) and Krystina Castella’s \u003ci\u003eDiscovering Nature’s Alphabet \u003c\/i\u003e(Heydey, 2006), this title will inspire young students to learn to look wherever they go. 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The varying levels of difficulty enhancethe audience breadth; the conceptual pullback necessary to find F in a pair offluttering flags on a pole, for instance, is a step that could lead todiscussions of both art and science. While the visuals are intriguing, the realvalue here lies in encouragement to look closely and in new ways at a settingfamiliar to the point of invisibility; make sure you leave plenty of time for aletter-hunt around your own building.\u003cbr\u003eHarking back to his first book (the Caldecott Honor–winning Alphabet City, rev. 11\/95), Johnson shows the shapes of letters in everyday scenes, this time within a school, concentrating solely on letterforms rather than on words that begin with those letters. The illustrations (described on the copyright page as “monoprints on paper with digital enhancement”) have a grainy texture that gives them a softer, more handmade appearance than those in Johnson’s previous books. Each highly detailed image shows the letter standing out clearly but naturally, a balance of discovery and ease. The viewer is meant to solve a double puzzle on each page: what part of the school is the picture showing, and where is the letter? So, a stepladder forms the letter A, and is found in the library; a twisty slide forms the letter S, on the playground. Any child who knows his or her alphabet will be able to easily identify each letter, but a few of the locations are harder to decipher (and there is no answer key appended). The letter X is the weak link in this offering, possibly showing two dandelion stalks crossing each other on a playing field. 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