{"product_id":"9780374271565","title":"The Submission : A Novel","description":"\u003cstrong\u003eThe Submission\u003c\/strong\u003e\u003cbr\u003e\u003cb\u003eAuthor(s): Amy Waldman\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e\u003cb\u003e\u003ci\u003eEntertainment Weekly\u003c\/i\u003e's Favorite Novel of 2011  \u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\u003ci\u003eEsquire\u003c\/i\u003e's 2011 Book of the Year \u003cbr\u003eA \u003ci\u003eNew York Times\u003c\/i\u003e Notable Book for 2011\u003cbr\u003e\u003c\/b\u003e\u003cb\u003eA \u003ci\u003eWashington Post\u003c\/i\u003e Notable Fiction Book for 2011\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eOne of NPR's 10 Best Novels of 2011\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTen years after 9\/11, a dazzling, kaleidoscopic novel reimagines its aftermath\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eA jury gathers in Manhattan to select a memorial for the victims of a devastating terrorist attack. Their fraught deliberations complete, the jurors open the envelope containing the anonymous winner's name—and discover he is an American Muslim. Instantly they are cast into roiling debate about the claims of grief, the ambiguities of art, and the meaning of Islam. Their conflicted response is only a preamble to the country's.\u003cbr\u003e\u003cbr\u003eThe memorial's designer is an enigmatic, ambitious architect named Mohammad Khan. His fiercest defender on the jury is its sole widow, the self-possessed and mediagenic Claire Burwell. But when the news of his selection leaks to the press, she finds herself under pressure from outraged family members and in collision with hungry journalists, wary activists, opportunistic politicians, fellow jurors, and Khan himself—as unknowable as he is gifted. In the fight for both advantage and their ideals, all will bring the emotional weight of their own histories to bear on the urgent question of how to remember, and understand, a national tragedy.\u003cbr\u003e\u003cbr\u003eIn this deeply humane novel, the breadth of Amy Waldman's cast of characters is matched by her startling ability to conjure their perspectives. A striking portrait of a fractured city striving to make itself whole, \u003ci\u003eThe Submission \u003c\/i\u003eis a piercing and resonant novel by an important new talent.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003eReview(s):\u003cbr\u003e\u003cp\u003e“The Submission reads as if the author had embraced Tom Wolfe's famous call for a new social realism...and in doing so has come up with a  story that has more verisimilitude, more political resonance, and way more heart than Mr. Wolfe's own 1987 bestseller, The Bonfire of the   Vanities.” —\u003ci\u003eMichiko Kakutani, The New York Times Book Review\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e “Addictively readable...Not unlike The Wire's  David  Simon...Waldman has an eye for the less sound bite-worthy but  crucial  ways in which ideology and influence make their imprint on the  world.” —Vogue  \u003c\/i\u003e  \u003cbr\u003e\u003cbr\u003e“Elegantly written and tightly plotted  . . . With the keen and expert eye of an excellent journalist, Waldman provides telling portraits of all the drama's major players, deftly exposing their foibles and their mutual manipulations. And she has a sense of humor: the novel is punctuated with darkly comic details   [which] would seem richly satirical were it not for the fact that they so closely reflect reality.” —\u003ci\u003eClaire Messud, The New York Times Book Review\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Moving  . . . Eloquent . . . A coherent, timely and fascinating examination of a grieving America's relationship with itself.  Waldman . . . excels at  involving the reader in vibrant dialogues in which the level of the debate is high and the consequences significant.” —\u003ci\u003eChris Cleave, The Washington Post\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Masterful  . . . [A] scathing, dazzlingly crafted indictment of the messes people  make when they mistake ideology for morality and bigotry for patriotism .  . . Waldman, an ex-\u003ci\u003eNew York Times\u003c\/i\u003e bureau chief, unspools her story with the truth-bound grit of a seasoned journalist and the elegance of a born novelist.” —\u003ci\u003eLeah Greenblatt, Entertainment Weekly\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Propulsive and thoughtful . . . [A] smart and sensitive work of fiction.” —\u003ci\u003eMark Athitakis, Star-Tribune (Minneapolis)\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Devastating . . . An excellent debut novel . . . \u003ci\u003eThe Submission\u003c\/i\u003e is an exceedingly accomplished novel. The  pacing, dialogue, characters  and plot are absorbing from the start. Waldman populates her work with a dozen realistic characters.” —\u003ci\u003eAnne Trubek, The Plain Dealer (Cleveland)\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“A novel whose time has come . . . [Amy Waldman's] debut novel is a sharp work with complex characters and an unflinching skepticism about human  motivation. Waldman recognizes the tragedy of 9\/11 without indulging in sentimentality . . . Much of the power in Waldman's writing comes from her ability to gradually reveal layer upon layer of her characters' circumstances, creating a continual sense of enlightenment as the story   progresses.” —\u003ci\u003eM.L. Johnson, Associated Press\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“[A] gripping, deeply intelligent novel . . . Panoramic in scope but thrillingly light on its feet . . . Waldman does a masterful job of getting into the heads of New Yorkers . . . [A]  dazzling tapestry of a grieving city.” —\u003ci\u003eKimberly Cutter, Marie Claire\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Waldman, a former South Asia bureau co-chief for the \u003ci\u003eTimes\u003c\/i\u003e, has antennae well tuned to the media circus. Perhaps it's her reporter's skill that makes her so nimble at sketching in characters; she's a penetrating psychologist, especially for a first novelist. She weaves together a half-dozen  stories, from the top to the bottom of New York's social strata, and keeps them moving briskly forward; you never want to stop reading.” —\u003ci\u003eCraig Seligman, Bloomberg News\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“In her magnetizing first novel, replete with searing insights and exquisite metaphors, Waldman, formerly a \u003ci\u003eNew York Times\u003c\/i\u003e  reporter and co-chief of the South Asia bureau, maps shadowy psychological terrain and a vast social minefield as conflicted men and women confront life-and-death moral quandaries within the glare and din of a media carnival. Waldman brilliantly delineates the legacy of 9\/11; the confluence of art, religion, and politics; the plexus between the individual and the group; and the glory of transcendent empathy in \u003ci\u003eThe Bonfire of the Vanities\u003c\/i\u003e for our time.” —\u003ci\u003eDonna Seaman, Booklist (starred review)\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“[An] emotionally and politically rich novel . . . \u003ci\u003eThe Submission\u003c\/i\u003e  raises wrenching post-9\/11 questions about what it means to be an American . . . [Waldman's] novel transcends ideological politics.” —\u003ci\u003eBob Minzesheimer, USA Today\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Fascinating  . . . Brilliant  . . . The genius of Waldman's novel is that it  captures the manner in  which a member of a group that has become part of an ideological tussle will often come to be stripped of his humanity and viewed as a symbol . .  . A searing personal saga.” —\u003ci\u003eRayyan Al-Shawaf, New York Press\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“[\u003ci\u003eThe Submission\u003c\/i\u003e] accomplishes the rare feat of being prescient after the fact, a counterfactual novel that turns out to be accurate in all the details   that matter . . . [Waldman is] as convincing in an apartment full of Bangladeshi immigrants as she is among the martini-quaffing suits in midtown . . . A New Yorker might well read \u003ci\u003eThe Submission \u003c\/i\u003ebefore bed and wake up the next morning believing it actually happened.” —\u003ci\u003eJess Row, New York\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Waldman boldly re-imagines an eerily realistic alternate history of the years after 9\/11 . . . [\u003ci\u003eThe Submission\u003c\/i\u003e] refracts with uncanny insight the public ambitions and private pain that have shaped us, showing us ourselves with rueful grace . . . With a reporter's keen eye for how stories spin and are spun, Waldman dramatizes the press's machinations as perhaps only a journalist  could.”  —\u003ci\u003eTess Taylor, Barnes \u0026amp; Noble Review\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“[A] provocative and smartly conceived book.” —\u003ci\u003eBob Hoover, Pittsburgh Post-Gazette\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“[A]  poised and commanding debut novel . . . A remarkably assured portrait of how a populace grows maddened and confused when ideology trumps empathy. A stellar debut. Waldman's book reflects a much-needed understanding of American paranoia in the post-9\/11 world.” —\u003ci\u003eKirkus Reviews (starred review)\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Amy Waldman's \u003ci\u003eThe Submission \u003c\/i\u003eis a wrenching panoramic novel about the politics of grief in the wake of 9\/11. From the aeries of  municipal government and social power, to the wolf-pack cynicism of the press, to the everyday lives of the most invisible of illegal immigrants and all the families that were left behind, Waldman captures a wildly diverse city wrestling with itself in the face of a shared trauma like no other in its history.” —\u003ci\u003eRichard Price, author of Freedomland and Lush Life\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Waldman fluidly blends her reporter's skill . . . at rapid-fire storytelling   with a novelist's gift for nuanced characterization. She dares readers to confront their own complicated prejudices steeped in faith, culture,   and class. This is an insightful, courageous, heartbreaking work that should be read, discussed, then read again.” —\u003ci\u003eSally Bissell, Library Journal (starred review)\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Amy Waldman writes like a possessed angel. She also has the emotional smarts to write a story about Islam in America that fearlessly lasers through all our hallucinatory politics with elegant concision. This is no dull and worthy saga; it's a literary breakthrough that reads fast and breaks your heart.” —\u003ci\u003eLorraine Adams, author of Harbor and The Room and the Chair\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e“Frighteningly plausible and tightly wound . . . Waldman addresses with a refreshing  frankness thorny moral questions and ethical ironies without resorting to breathless hyperbole.” —\u003ci\u003ePublishers Weekly (starred review)\u003c\/i\u003e \u003cbr\u003e\u003cbr\u003e“A gorgeously written novel of ideas...\u003ci\u003eThe Submission\u003c\/i\u003e is sure to generate a lot of discussion in book clubs across the land.” —\u003ci\u003eNPR's Fresh Air\u003c\/i\u003e\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003eWinner Janet Heidinger Kafka Prize for Fiction (2011), Long-listed Esquire Magazine Best Books of the Year\u003cbr\u003e\u003cbr\u003eISBN:  9780374271565\u003cbr\u003e\u003cbr\u003e ","brand":"Farrar, Straus and Giroux","offers":[{"title":"Hardback","offer_id":40594771837134,"sku":"9780374271565","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0600\/7029\/7806\/products\/getimage_e143a1ac-4f4b-4087-b07c-97f929adf632.jpg?v=1637817298","url":"https:\/\/pickwickbookshop.com\/products\/9780374271565","provider":"Pickwick Bookshop","version":"1.0","type":"link"}